It is not possible to predict which chord voicing type will perform best in any given situation one should use the ear as the ultimate judge. The close position chords have a more pianistic quality, especially in high registers, due to the intervals being arranged in sequential order and fitting within an octave. The open position chords have a guitar-like sonority due to their intervallic arrangement. Two types of chord voicings are presented, these are “open position”, meaning all chord tones are sounded with some note(s) more than an octave above the lowest tone and “close position” where all tones are sounded within the space of an octave or less. The resemblance to the standard minor 7 th chord should be very clear, as only the fifth is raised one half step, or one fret in terms of the guitar. The formula for a minor 7#5 chord is as follows: 1-b3-#5-b7 or with C as its root: C, Eb, G#, Bb. The minor 7#5 chord discussed in this article is very different from the augmented formula as it has a minor 3 rd instead of a major 3rd. Another explanation is because generally when“#5” is mentioned musicians often assume an augmented chord containing a major 3 rd, 1-3-#5. This is likely due to the fact that it is not a naturally occurring chord in the major scale or any of the principal minor (harmonic, melodic) scales. The harmonic structure known as a minor 7 th #5 chord (m7#5) is a relative obscurity in modern music.
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